The plot in The Birds

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 (1963) has actually socialite Melanie Daniels (Tippi Hedren) chasing Mitch Brenner (Rod Taylor) to play a prank on him to a tvery own wright here birds are attacking human being for no obvious factor. Nobody has any principle what draws the birds and turns them bad, and Hitchcock renders certain that the mystery continues to be intact, picking not to explain what’s happening. The open ending leaves you mirroring and also that’s one of the many intriguing parts of the movie.

You are watching: Tippi hedren the birds green suit

The small tvery own is called Bodega Bay and also is at around 60 miles North of San Francisco, and the feeling of place is so sharp and also assured that it provides it seem incredibly familiar, prefer you’ve been tbelow. It’s a feeling that stays through you and that provides the film all the more impactful. San Francisco was among Alfred Hitchcock’s favourite movie areas and also this is such an exciting topic that I will more than likely method it in a future blog post, even prior to I gain my hands on this book

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Tippi Hedren had just the sort of cool blonde great looks that Hitchcock preferred. And she does look so cool and also sharp in this initially costume (my favourite of the two in the film), a simple and elegant charcoal grey wool blfinish suit with stand also collar, three-quarter size sleeves and also angled front welt pockets, worn via lengthy black leather gloves, an oversize fold-over clutch and also classical pointed-toe pumps. I’m not overlooking the white shirt either, collarless and also with three-quarter sleeves, through its cuffs peeking from underneath the jacket sleeves – I love this detail, as I myself like to play through layering sleeves lengths. If we look for a tiny symbolism, as it generally is the case with Hitchcock’s films, we can see this costume as a authorize of the dark occasions to come.

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Hitchcock was planning on using many green in the movie, and also restricted Edith Head, his long-time collaborator, to making use of green in Hedren’s wardrobe as well. “Green to Hitchcock evoked a chaste, cool high quality, setting Melanie apart from the Bodega Bay residents”. Edith Head supplied another among her designs, the eau de nil suit worn by Grace Kelly in Rear Window, as catalyst for Tippi’s green suit, just this time through a structure more akin to a Chanel suit. The costume designer retained the lines straightforward – she normally did, specifically in the ’50s and also ’60s, because it had actually always been her fear that if she didn’t, her designs wouldn’t stand the test of time. Six duplicates of the suit were made, because Tippi would wear it for a large part of the film, and also most of them would must be distressed in the time of the repeated strikes of the birds.

Sleeveless sheath wool dress via side darts, predisposition complete on the jewel neckline, nipped in at the waist, matching substantial buckle belt. It is teamed through a matching jacket with three-quarter raglan sleeves via turnago cuffs and patch pockets. A mink hair coat, a brownish tote, taupe shoes and suede gloves, and a ton sur ton silk scarf finish the look.

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Isn’t it exciting that Annie Hayworth (Suzanne Pleshette), an old flame of Mitch’s, is wearing green as well, however a darker shade of green, in among the scenes? That was Hitchcock – a detail is not just a detail and every single structure is meticulously created.

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Reportedly, Hitchcock personally schosen Hedren’s jewellery for the film: a multi-strand, two-toned pearl necklace and also bracelet and a pair of gold hook stud earrings for the charcoal grey suit, and also the very same earrings, a gold necklace, a chunky gold ring and a fragile gold bracelet watch for the green suit. It was essential that Melanie be elegant to suggest her privileged social place and also materialistic nature, so her wardrobe had to sfinish out a certain message.

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Since Hedren wears just three costumes, her entire film wardrobe cost just $5,000. The nightgvery own she wears in the film was intended to have actually been purchased at an inexpensive range store, so that’s simply what Edith did. “Tright here are wonderful designers who make you look excellent, very elegant,” Tippi sassist. “But Edith taught me that you not just style to make a perchild look according to their character, you need to make certain the person deserve to execute the activity.”

The sense of style in Hitchcock’s films always comes as a bonus. The prominence of the clothes is never before underapproximated, fairly the contrary, the costumes are among the many elements that come together like pieces in a puzzle to create a work-related of art – therein lies my fascination for Hitchcock’s movies.

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photos: stills from the film, caught by me from Alfred Hitchcock: The Masteritem Collection

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| Universal Pictures, 1963

sources: Edith Head: The Fifty-Year Career of Hollywood’s Greatest Costume Designer

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, by Jay Jorgensen / Alfred Hitchcock: The Complete Films
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, by Paul Duncan