The Galileo Seven gets the high-def therapy, as Star Trek's original seakid moves into its second fifty percent...

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By Mark Pickavance | May 14, 2009 | | Comments count:0

Episode: 16Title: The Galileo SevenStar Date: 2821.5Writer: Oliver Crawford and S. Bar-DavidFirst Shown: fifth January 1967

Gene Roddenberry presented the principle of the transporter to avoid the high cost of effects for amethod groups travelling down to planets, yet he didn’t totally offer up through the principle of mothership reconnaissance. In The Galileo Seven we see the shuttle craft hooffered in the Enterprise’s hanger that deserve to supply groups of star fleet personnel in their own short array spacecraft.

I’ve viewed at leastern three versions of where the story for this adventure came from, and possibly they’re all true to some degree or another. One is that it’s a copy of the timeless western Stagecoach (1939), another is that it’s a remake of Five Came Back (1939) which starred the young Lucille Ball, incidentally. And it also bears some similarities to The Flight Of The Phoenix (1965) made a year earlier.


Whatever before the true impetus, I prefer to think this story was introduced as a means of explaining why Spock isn’t the captain of the Enterprise and Kirk is.


The Enterprise is about to provide immediate clinical offers when it encounters Murasaki 312, a deep area quasar. Standing orders are to investigate these sensations, so Kirk sends shuttlecraft Galileo to investigate. However before, the shuttlecraft is knocked off course by the powerful interference that is being emitted by the quasar and also crash-lands on the world Taurus II.

With sensors and communication inoperable, the crew aboard the Galileo will certainly be lucky if they’re ever heard from again.

The shuttlecraft is badly damaged but possibly fixable (as Scotty came along). It can be worse; at leastern the natives aren’t aggressive. Oh, hang on, they are!


Very shortly after they arrive, one crew member is dead, and the majority of the others are whining around the massively insensitive monitoring style that Spock employs to solve their troubles. Actually, much of the story is around just how he gets everyone’s back up, through the possible exemption of Scotty. He likewise annoys Doctor McCoy, yet then he’s always grumpy. But the chief complainer is Lt. Boma played by Don Marshall, that takes Spock’s assertion that leaving 3 of them behind must be sufficient weight saved for the shuttle to reach orbit incredibly badly. This was great experience for Don Marshall, that a TV seakid later would certainly be confronting the equivalent unrenowned command also decisions in The Land also Of The Giants.

Meanwhile, Kirk is looking desperately for them while having actually the really annoying High Commissioner Ferris point out eincredibly five minutes that they’re unlikely to find the shuttle and also they have actually vital service somewhere else.

Spock’s techniques gain another crew member killed, reducing the weight worry to simply 150lbs in the imperial measurement moved federation. What’s great about Spock in this story is that he freely admits he’s made poor, if totally logical, selections.


The aggressive locals aren’t really seen in any kind of detail, which, when we carry out check out them, is most likely not a bad thing. We’re told they’re ape-favor and stand also 8, 9 or even 10 feet tall, and also they’re furry. They perform make plenty of noise, and also chuck astronomical spears, so it’s a relief as soon as Scotty converts the power provides from all their phasers to permit a take-off.


But they know they can’t also maintain the orlittle bit, and certainly not reach escape velocity. It’s time for less than logical reasoning from the perchild onboard via the least experience in being emotional. Spock jettisons the remaining fuel and ignites it behind the shuttle, leaving a brilliant bbest green trail. But 6 minutes later on the fuel is used and they begin to burn up on re-entering the environment. Thanktotally, the progressively retreating Enterpincrease sees the green trail and beams the five remaining crew off the shuttle before it is incinerated.

I’ll admit to feeling slightly cheated by the story, bereason Boma doesn’t give thanks to Spock, and High Commissioner Ferris doesn’t gain to eat humble pie either.

But the new Blu-ray version does consist of for that by replacing the whole shuttle results via some really classy looking ones of it leaving the Enterprise and also flying above Taurus II. They’ve likewise created some nice quasar effects that make the area of room look much even more interesting than originally presented.

For geeks tright here is plenty in this story to watch out for, particularly in respect of the shuttle. They obviously spent plenty on the mock-up, and also it was in 4 various other episodes, though curiously it was still referred to as the Galileo in three of those prior to being rightly renamed the Galileo II for its last appearance. While the initially TV use of the term ‘shuttle’ remained in a 1959 Twilight Zone story, the Galileo, in addition to the Orion shuttle in 2001: A Space Odyssey, did have an influence on the basic usage of this expression. Star Trek influence also extfinished to the initially shuttle craft being named Enterpclimb, so the connection can’t be completely ignored.

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The story creator was Oliver Crawford, that co-wrote the script via S. Bar-David (Shimon Wincelberg). He’d go on to compose 2 more stories in seakid 3 of the original series. An completed TV script writer, he wrote for simply about every significant series of the period from Bonanza to The Fugitive.