There’s a story behind eexceptionally iconic song. In the instance of “Broadripple is Burning” by now-defunct Indianapolis rock band Marobtained & the Nuclear So and also So’s, that story is uniquely tied to the song’s geographical birtharea.

You are watching: I will haunt you like a ghost

With mentions of neighborhoods like Broad Ripple, wright here the band also played mirrors, and also Fountain Square, where the band lived and partied, the song has touched listeners far beyond Interstate 465, also making its method onto Seaboy 15 of Amerihave the right to Idol. Now through even more than 17 million plays on Spotify, the tune has actually a personal meaning to eexceptionally individual, and also that particularly rings true to those that played it many times over the years.

Thunstable this oral background, the facility story of “Broadripple is Burning” is told via the voices of former Marobtained members, in addition to those that were roughly during the mid-to-late 2000s as soon as the song came into being. From lyric transforms to complete chord shifts, “Broadripple is Burning” inevitably ended up being an animal of its own in the end, forever leaving an imprint on the city it came from.


Rictough Edwards: Current solo artist and previous frontguy of Margot & the Nuclear So and So’sTyler Watkins: Former bhelp of Margot & the Nuclear So and also So’sChris Fry: Former drummer of Margot & the Nuclear So and So’sErik Kang: Former multi-instrumentalist of Maracquired & the Nuclear So and So’sKristen Reilly: Sings on Not Aminal version of “Broadripple is Burning”Kenny Childers: Bloomington-based songwriter, founder of Gentleman Caller, and also late-era member of Margot & the Nuclear So and So’sHeidi Gluck: Longtime musician and also late-era member of Margained & the Nuclear So and So’sDavid “Moose” Adamson: Former member of Edwards’ band before Margot (Archer Avenue) and also longtime Indy musician via tasks favor Sedcairn Archives, DMA, and also JookaboxBenny Sanders: Former member of Indy-based bands Jookabox and Everthus the DeadbeatsTodd Robinson: Owner and founder of LUNA MusicRhett Miller: Frontmale of Dallas-based alt-country band also Old 97’s


Members of the band asleep inside the Maracquired residence in Fountain SquareCourtesy Chris Fry

KRISTEN REILLY: They had actually built wall surfaces between the existing rooms in the residence to create sub-rooms for each band member. Our room was the size of the mattress that took up the whole floor and also had actually shelves over us wbelow our apparel were hung. Most of the nights in that home were spent drinking whisessential and also wine on the ago porch, listening to music, and talking till we cramelted ago in the cubby via a fan blowing on us so we didn’t sweat to fatality. Although it sounds turbulent, I was two decades old and also enjoying every second of the liberty that came with living in a residence complete of artists and musicians.

ERIK KANG: I constantly think even more around the stretch between Broad Ripple and also Fountain Square. We had actually the majority of events and parties up in that location, normally at the Vogue or at friends’ houses. And we’d inevitably after-party or crash back at the Maracquired house in Fountain Square. The song has a sense of desperation to it, and that’s exactly how I normally felt once someone was driving me back to the Margained residence … despeprice to uncover a place to go to sleep and also get away from everyone for a little of tranquility, in a home frequently inhabited by 10+ civilization.

KRISTEN REILLY: The feeling of the song is a pretty precise depiction of my memories in both of those areas. Booze-infused interactions and also young, shed world falling in and also out of love/infatuation, confusion, and so on My relationship to these locations was mainly nights of drinking wine and also trying to figure out that I was. Early 20’s are complete of most solid emotions about your surroundings and also the human being neighboring you. These areas served as the backdrop for my developmental years and the majority of of my mistake making.

RICHARD EDWARDS: My favorite thing about the song is exactly how it’s rendered that community fiction. I love once world that love the song pilgrimage tright here and are completely let dvery own. That is a wonderful feeling. I recognize that’ll come off as obnoxious, but I’m so pleased that, as far as the internet is concerned, I destroyed a place that somewbelow alengthy the line determined a bunch of Brothers nightclubs were even more important than the Patio, and turned it right into some weird emo mecca that some kids have actually sought out, only to be totally disillusioned as soon as they arrive. I can’t tell you how a lot that tickles me. Maybe that’s the song’s ultimate leschild. Take the place in which you live and also revolve it into somewright here you’d rather be.


If my woguy was a fireShe’d burn out before I wakeAnd be replaced by pints of whiskeyCigarettes, and also external spaceThen somebody movesAnd every little thing you thought you had will go to shitWe’ve acquired a lotDon’t ever before forget that


And I’m wastedYou can taste itDon’t look at me that way‘Cause I’ll be hanging from a ropeI will haunt you choose a ghost

RICHARD EDWARDS: I hated the song practically instantly, so by the moment we taped it (initially on our very own before we signed via Sony) I was basically instructing the band to attempt and also murder it, or at least strangle every one of the longing and vulnercapacity out of it. That version is on the rarities box set, I believe. I remember feeling very disturbed that the chorus was acquiring significant applausage and also cheers as soon as we played it live. It didn’t seem choose somepoint to hoot and holler over. I would hate it if young world thought I was glorifying depression and also anxiety or advocating for the escape from those mawomen through substances. In the instance of this song, it felt as if the audience and also I weren’t on the exact same web page, maybe. I likewise just thought the song came as well conveniently and also was musically easy. It was the kind of song I could compose without initiative, and I tend to distrust those.

CHRIS FRY: The song has had many type of versions, various tempos, a major/minor key readjust, and also at least two lyrical changes.

TYLER WATKINS: Initially, the dark tune impressed me, to say the leastern. As a band also, we tackled the song through a rumpus individual explosion. Everyone’s first instinct wregarding make it a rocker, through hefty hitting quarter-note hits throughout. “Broadripple” bounced together with Richard shouting lyrics over garage rock, a Wurlitzer, and a swooning cello. We played the song that way while we toured as a baby band also for the complying with year or so.

ERIK KANG: I think everyone roughly Margot felt it can be a popular song for the band also, so there was many focus on obtaining the recordings best. In component because of that push, and in component because of the numerous principles we had actually for the song, we reduced all sorts of versions. The greatest change was when it took on a totally different chord progression. I think we debuted that version at the Irving Theater, and also people were so puzzled … and also pissed. There was likewise a duration of time once the song came to be an audience sing-a-long, which motivated Ricdifficult to change some of the lyrics. Maybe it was coincidental, but I think he delighted in recording civilization off guard via points like that.

And I wrote this on an airplane where the civilization looked choose eggsAnd as soon as a woman that you loved was goneShe was battle East JapanAnd don’t fucking move‘Cause whatever you thought you had will certainly go to shitWe’ve obtained a lotDon’t you dare foracquire that

CHRIS FRY: Lyrically, tbelow was a readjust “I created this on an airplane, wright here the world look favor ants” to “wbelow the civilization look choose eggs.” That readjust came as soon as we were on tour through the British band South in 2006. South had a very charismatic roadie/merch seller that went by “Little J.” Little J had misheard the lyric and also approached Rictough. He sassist, “The line around human being look choose eggs is brilliant!” From then on, the line was eggs.

See more: Your Pretty Face Is Going To Hell Torture, Your Pretty Face Is Going To Hell

RICHARD EDWARDS: I think this is true. If someone English liked a line, we figured it was more Beatles-y. But I’ve always tried to revolve phrases into unsupposed and weird what-have-you’s, so that knows.