2. Extras (2006)In another funny cameo as himself, Bowie appeared on Ricky Gervais’ post-Office show Extras. Gervais, playing the creator and star of a crappy sitcom, dumps all his woes on Bowie in a bar, complaining that he thinks he’s sold out. Without a wink, Bowie whips approximately to a piano and also starts composing a song about Gervais’ pitiful existence: “Pathetic bit fat guy / no one’s bloody laughing / the clown that no one laughs at / They all just wish he’d die.” Within moments, he’s inspired a bar-wide sing-alengthy around Gervais’ pug nose and probable eventual suicide. It’s among the funniest moments in an underrated series, and it’s all Bowie’s.

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3. TV On The Radio’s “Province” (2006)Throughout his career, Bowie has actually showcased a disturbingly wide vocal variety, from crooner to super-creep. TV On The Radio offered both extremes perfectly on “District,” having actually Bowie sing both in his lower register and also in that scary voice he perfected on The Man Who Sold The World. Bowie never before overpowers TVOTR’s Kyp Malone or Tunde Adebimpe on the track, from 2006’s Rerotate To Cookie Mountain, but his addition is unmistakable, widening the harmonies to give it a fuller, freakier sound.


4-5. Scarlett Johansson’s “Fannin Street” and “Falling Down” (2008)No one was especially excited about Scarlett Johansson’s album of Tom Waits covers, Anywhere I Lay My Head, though interest was piqued when producer Dave Sitek revealed that Bowie had contributed backing vocals to “Fannin Street” and also the album’s single, “Falling Down.” Turns out even Bowie can’t cover for Johansson’s weak singing voice, but he does lug some much-essential gravitregarding the songs, especially his world-weary tone on “Falling Dvery own,” which networks Waits at his the majority of hopeless.

6. Twin Peaks: Fire Walk With Me (1992)Very little bit provides feeling in the spooky, absurd human being of David Lynch’s Twin Peaks, so a surpincrease cameo from Bowie is completely proper. Dressed in an extremely dated suit and also sporting what can be the worst Southern accent ever, Bowie stumbles right into Kyle MacLachlan’s office. After being determined as long-shed FBI agent Phillip Jeffries, Bowie drops to the floor, ranting about the mysterious beings who haunt the town. It’s far from Bowie’s best acting, yet it might be his strangest.


7. Mott The Hoople’s “All The Young Dudes” (1972)After hearing that Mott The Hoople was considering breaking up due to lack of commercial success, Bowie created “All The Young Dudes” for the glam band—producing its best hit in the procedure. The song is so Bowie-esque that civilization commonly think he sang it, when in reality his sonic contributions—backing vocals and also saxophone—are hidden pretty deep in the mix. As with his later job-related on Iggy Pop’s The Idiot and also Lust For Life, Bowie seemed to attempt and minimize his existence, so only the most avid listeners would certainly have the ability to suss him out.


8. The Last Temptation Of Christ (1988)As a singularly charismatic character actor, Bowie is adept at finding intriguing, even counterintuitive new angles on familiar numbers. Accordingly, in Martin Scorsese’s controversial adaptation of The Last Temptation Of Christ, Bowie plays Pontius Pilate not as an easy heavy or a larger-than-life villain, but rather as a wry, droll pragmatist who’s intrigued and also more than a little conestablished by Willem Dafoe’s all-too-humale Jesus, whom he sees as a radical, even revolutionary figure whose desire to adjust not simply the method his followers live, yet likewise just how they think and also feel, provides him a hazard to the power framework. Bowie’s fascinatingly restrained performance betrays a distinct admiration for Dafoe’s integrity that can’t get rid of what he sees as his duty to protect Rome and also his bosses from a man whose power can carry dvery own the entire Roman Realm. Bowie doesn’t have actually a lot display time, but he makes eextremely moment count.


9. Bandslam (2009)It’s unclear why Bowie would be willing to appear in Bandslam, a Vanessa Hudgens automobile that bombed at the box office, yet he doesn’t need to do much in his small scene at the finish of the movie. Once aacquire positioned as an arbiter of taste, Bowie catches Hudgens’ band on YouTube and also offers to sign them to his brand-new indie label. It’s a fitting fairy-tale ending for the movie, yet it appears unmost likely that the genuine Bowie would certainly offer Bandslam’s destructive songwriters a document contract, much much less enjoy their music.

10. SpongeBob’s Atlantis SquarePantis (2007)SpongeBob SquarePants typically attributes inside jokes and referrals aimed at adults watching together with their kids, and Bowie’s turn in a TV movie of the Nickelodeon series as the Lord Royal Highness (or L.R.H. for short) of Atlantis was no exemption. L.R.H. is as glam-rock as they come, finish via high-heeled boots and lipstick. Bowie plays him as a squeaky but astute ruler who welcomes SpongeBob and friends, before points take a rotate.


11. Iggy Pop’s “Some Weird Sin” (1977)Bowie is everywhere Iggy Pop’s initially 2 solo albums, The Idiot and also Lust For Life: He developed both, and co-composed and played on a lot of of the songs. He also went on tour with Pop to promote the albums, sitting in the shadows as the keyboardist in the time of concerts. But Bowie’s presence is most visceral on Lust For Life’s “Some Weird Sin,” a rager that has actually both Pop and also Bowie singing to the rafters. After a quick verse by Iggy, Bowie jumps in through a harmony, and the song transforms into a menacing foot-stomper where it’s difficult to tell who’s the lead singer. “Some Weird Sin” definitely isn’t the the majority of effective or dynamic song in the Bowie/Pop collaboration, yet nowright here else carry out the two legends get to go head to head.


12. Goldie’s “Truth” (1998)British artist Goldie aided originate the drum-and-bass genre, a style Bowie dabbled with in the ’90s. Bowie reportedly chosen the sound so a lot, he offered vocals for the Goldie-penned “Truth” from 1998’s Saturnz Return. It’s an atmospheric, haunting song whose affect have the right to clearly be heard in the leadoff track of Bowie’s Heathen, “Sunday.”


13. Yellowbeard (1983)Graham Chapguy co-wrote and starred in Yellowbeard, a pirate-comedy whose cast boasts not only fellow members of Monty Python, however Cheech and also Chong as well. Bowie has actually an unattributed cameo as a henchman who provides sex-related favors for his boss as soon as he’s not torturing witnesses. Dressed in rags via a shark fin sewn to his ago, he proves he’s simply as comfortable in a Python-esque farce as in a packed stadium.


14. Dream On (1991)HBO’s Dream On ran for 6 seasons, yet it’s been mostly foracquired (not surprisingly, because its edge has worn off over time). But some episodes stand out by means of their guest stars, the majority of notably “The Second Greatest Story Ever Told,” in which Bowie shows up as the egotistical, insulting director Sir Ronald Moorecock. His over-the-height performance (directed by John Landis) transforms what might have actually been a silly role right into something hilariously memorable.

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15. The Prestige (2006)Christopher Nolan’s The Prestige is all around showmanship (as soon as it isn’t around revenge or Hugh Jackman’s dashing great looks), so it provides feeling that rock’s many theatrical star would certainly make an appearance. Nolan introduces Bowie as Nikola Tesla by having him appear with an electrical storm, a fitting entrance for the idiosyncratic inventor, and also possibly a nod to the lightning makeup Bowie offered on the cover of Aladdin Sane. Bowie fits appropriate in via the pyrotechnics, however his subtle portrayal of Tesla is a lot of powerful in a smaller scene where he advises Jackguy to end his feud with Christian Bale.